Surround Sound

March 19, 2008

Electronic artist A.M. (who also goes by the name Andrew Moore in his other life as an elementary school teacher) is making an open call for participants in his latest project—what he’s calling a "sonic portrait" of the lives of ordinary people on a particular day: Friday, May 23rd, 2008.

Torontoist was impressed by A.M.’s 2006 album, Underground, which sampled the many sounds of the TTC, including the door chimes and the cacophony of the train screeching into the station. For his fourth album, dubbed Let’s Spend the Day Together, he’s planning something more ambitious. He’s calling for people around the world to make an audio recording of some aspect of their lives on May 23—be it walking the dog, sitting in rush hour traffic, or whatever. Moore will use his favourite clips to build a song based on that person’s day.

(Original article)


CMWist: Friday Preview

March 7, 2008

It’s day three of Canadian Music Week, and you can feel the excitement in the air. Before we get started with today’s preview though, we have a couple of public service announcements: German rockers 4LYN have cancelled their show at Clinton’s Tavern due to ill health, and Hollerado are looking for a place to crash for the night. Apparently they’ll make you nachos.

Where were we? Right. There are over 100 bands playing tonight, and you can barely take two steps in any direction downtown without falling into a concert. So, once again, CMWist is here to tentatively nudge you in the direction of awesomeness. Tonight, awesomeness takes the form of Woodhands and Arkells.

Nerdy Toronto two-piece Woodhands will be bringing their distinctly un-nerdy psychedelic synth-pop to the Drake Underground at 12:45 a.m. as part of Paper Bag Records’ epic showcase, which runs from 9 p.m. until 1:30 a.m. Woodhands are joined by Huckleberry Friends, Tropics, Laura Barrett, Slim Twig, Winter Gloves, and Skratch Bastid. And at the bargain price of $5 (all wristbands accepted), this is as close to value-for-money entertainment as it gets on a Friday night. CMWist caught up with Dan Werb yesterday afternoon.

(Read more)


CMWist: Wednesday Preview

March 5, 2008

Canadian Music Week officially kicks off today. The bulk of the week’s action is, mysteriously, crammed into Thursday, Friday, and Saturday, but there are a couple of shows tonight that are set to get the week off to a promising start.

Former Kiss guitarist Ace Frehley (whose real name is Paul), will be rocking Guvernment at 9 p.m. tonight. This year marks a decade since Frehley last released any new material, and seven years since he last toured, so tonight’s show is sure to be a nostalgia-fest for fans. As Ace is now approximately 107, it’s likely the only trouble walking will be his own, but we hear hip replacements work wonders these days. Whether OHIP will cover them, however, is another matter.

If you’re less interested in the aging spaceman rockstar thing and more interested in seeing the Next Big Thing, you can head to Phoenix Concert Theatre for Eye Weekly’s showcase, also at 9 p.m. The headliners are San Francisco indie quirksters Deerhoof, known for lyrics like “Choo choo choo beep beep,” and for their colorful appearance on Eye‘s cover last week.

Deerhoof are supported by Toronto locals Ten Kens, whose sound veers wonderfully between Doorsesque crooning and Franz Ferdinand-style foot stomping, with the occasional screaming chorus thrown in for good measure. CMWist definitely recommends getting there early to check them out.

(Original article)


CMWist: The Festival Begins

March 2, 2008

his Wednesday is the official launch of Canadian Music Week 2008, and as you read this more bands are flooding into Toronto than you can shake a drumstick at.

If you’re planning to see a lot of shows (and there is a slightly overwhelming number to choose from), then your best option is to buy a wristband. These cost $35 and allow you into the majority of smaller shows, with most of the bigger ones classified as “Limited Wristband Only.” Wristband entrance to these gigs is first come, first served, so early arrival is advised—potentially giving you lots of time to befriend fellow concertgoers.

Here’s another Torontoist tip for the thrifty CMW attendee: tickets for The Hives on Monday come with a free festival wristband. Hives tickets are only $24.50 advance, so presumably whether or not you actually want to see The Hives, this is a way to get yourself a wristband for $10.50 less than you would otherwise pay. Although, once you add on Ticketmaster’s infamous booking fees (a $5.50 “convenience charge” and $1.50 “building facility” charge) it becomes less worthwhile.

(Read more)


Singles & Downloads

November 15, 2007

There’s a definite sense of gloom hanging over this fortnight’s bunch, particularly from the Glaswegians. Make Model prove that misery needn’t be without a sense of humour in ‘The Was’ (EMI) ••••, whose grungy cries of ‘Comatose stoned/Softening the blow’ are mocked by outbursts of ska. Q Without U provide an uncomplicated slice of misery-rock with ‘One Piece Puzzle’ (Hot! Guts! Records!) •• but total despair is quickly averted by the plinky-plonky electro sounds of Drive-by Argument’s rocky ‘Left, Left, Walk Forward, Get on the Dragon’ (Lizard King Records) •••, and Big Face’s ‘I Wanna Be a Style Crusador’ (Kitsune) •••.

Meanwhile in Edinburgh, nobody has told The Havex that sex isn’t shocking anymore. The monotonous and slightly obnoxious ‘Don’t Think About Sex’ (Kean Audio) • dares you to do just that, but it’s more likely you’ll be thinking that you’d better run to the bar before something good comes on.

But back to our scheduled gloom and angst. Lau (Reveal Records) ••• offer up mournful folky echoes of The Decemberists and, while they lack the same glorious weirdness, Lau’s haunting sound makes them more distinctive at least than DeVotchKa, whose ‘You Love Me’ (ANTI) ••• nods in The Decemberists’ general direction, while also evoking Radiohead’s whinier moments.

Some more situation-specific misery from Editors, who try to evoke the angst of having a ‘real’ job in ‘The Racing Rats’ (Kitchenware) •• and largely fail to convince us they’ve ever done anything more spiritually taxing than croon their way through this melodramatic high-energy nonsense. Simon Breed however succeeds in capturing 9-to-5 angst almost too perfectly in ‘Finish My Book’ (Re-Action Recordings) ••••, an ode to the escape of burying yourself in a book on the morning commute while life ticks drearily past you.

Amid all this desolation, Single of the fortnight is nabbed by Bloc Party’s distinctly ungloomy ‘Flux’ (Wichita Recordings) ••••• coupling their signature urgency with a thumping new bassline. The kids might not like the crazy electro sounds and vocoder distortion, weirdly reminiscent of that Cher song, but this explosive, frantic anthem might just have them dancing in spite of themselves.

(Original article)


Dot Allison

September 6, 2007

Exaltation of Larks **
Cooking Vinyl

This album is nice. It’s nice to have on in the background, and it’s nice to fall asleep to. In fact, the latter is hard not to do as Dot Allison’s tender vocals wash over you, evoking Sarah McLachlan without the melodrama. While the album’s appeal is its simplicity, more variation between tracks would help distinguish them from one another. Instead, it is like a country train ride: drifting from one song to the next, the album takes you on a journey that is pleasant but unmemorable, with too few landmarks to keep you interested along the way.

(Original article)


Tunng

August 16, 2007

Good Arrows ***
Full Time Hobby

Citing influences from Icelandic prog rock to choral music and film soundtracks, Tunng’s third album is a musical playground of varied sounds. Stand-out track ‘Bullets’ is a simple catchy pop number. ‘Hands’ and ‘King’ are gently beautiful songs, echoing Sufjan Stevens’ plinky-plonkly backdrops, and the chilled-out electronica of Air and Hot Chip. There is an experimental feel to the synthy instrumental ‘Soup’ (followed pleasingly by ‘Spoons’), and the tracks are punctuated by ambient sound and unusual percussion. But while these toys are fun, they are sometimes a needless distraction from songwriting that is strong enough to stand on its own.

(Original article)


Editors

June 18, 2007

An End Has a Start **
Sony BMG

Editors have grown up since debut, The Back Room. There’s new confidence to Smith’s vocals, and anthemic ‘Weight of the World’ has a gravity that ‘Open Your Arms’ never quite attains. The sound has the urgency of shouts in the dark, and Smith’s voice reverberates hugely in the choruses. The album however, lacks its own distinct feel. Just as The Back Room lost its momentum after the stomping climax of ‘Fingers in the Factories’, this effort peaks too soon; the second half feels like an afterthought. It evokes Joy Division without the haunting simplicity, and the closing track isn’t affecting enough to stay with you when it’s over. The chance of Editors ‘doing a Coldplay’ which was predicted for them is all but gone.

(Original article)


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